COMMISSIONS
Every commissioned work begins before the brush touches the surface — it begins with the space.
For significant projects, I visit the location in person. I study the architecture, note the dominant tones of the room — walls, floors, furnishings — and observe how light moves through the environment at different hours. This is not a preliminary formality. It is the foundation of the entire work.
From there, I develop a pictorial language specific to that space: proportions calibrated to the wall, a chromatic palette that dialogues with what already exists, a compositional rhythm that enhances rather than interrupts. The result is not a painting placed in a room. It is a work that seems to have always belonged there.